Two weathered theatrical masks—one tragic and one comic—surrounded by dark red ribbons and gold fragments, with the title “TRAGÉDIE COMIQUE” in ivory serif lettering at the upper right.

Marching Band Production

Tragédie Comique

Grade Grade 3-4
Structure Four Movements
Availability Inquire

All shows can be adjusted, expanded, or simplified to fit your ensemble.

Tragédie Comique explores the fragile space between laughter and heartbreak, where humor becomes a mask and performance reveals something painfully human. Inspired by the world of theatrical irony, tragic clowns, masquerade, and emotional contradiction, the show moves through elegance, distortion, vulnerability, and final revelation. What begins as wit and spectacle gradually exposes the sadness beneath the surface, inviting the audience into a world where comedy and tragedy are never far apart.

The production unfolds through four movements: A Jest in Earnest, Procession Grotesque, Behind the Smile, and Tragédie Comique. Each movement peels back another layer of the theatrical façade, shifting from playful irony to grotesque exaggeration, then into a deeply personal ballad of regret and longing. In the end, the full tragicomic world is revealed: beautiful, unsettling, dramatic, and strangely familiar.

With rich visual imagery, expressive musical contrasts, and a darkly elegant theatrical identity, Tragédie Comique asks a simple question: when the curtain falls, are we laughing at the tragedy—or grieving the joke?

Source Music

Musical Selections

  • I Started a Joke — Barry Gibb, Maurice Gibb, and Robin Gibb
  • Once Upon a Time from La Nouba — Benoît Jutras
  • Send in the Clowns — Stephen Sondheim
  • Tragédie Comique — Tate Fincher

Listen

Hear the Complete Production

Explore all four movements through the complete SoundCloud playlist.

Pricing & Options

Choose the version that fits your program.

Purchase the complete production as written, or have it adapted to better fit the instrumentation and needs of your ensemble.

Pre-Written Production

Standard Edition

$1,595

Complete pre-written production

The complete production as originally scored and designed.

Tailored to Your Ensemble

Adapted Edition

$2,295

Complete pre-written production + ensemble adaptation

The existing production is adjusted to better fit your specific performers, instrumentation, and program needs.

Regional Exclusivity

Each full-show purchase includes title-specific regional exclusivity, subject to availability. Once reserved, the same production will not be licensed to another school within approximately 100 miles of your program for that competitive season. Exclusivity follows the geographic radius across state lines and remains in effect through December 31.

Need More Changes?

Significant rewriting, recomposition, added material, or major structural changes beyond normal ensemble adaptation may require a separate quote.

Copyright & source-music licensing: This production includes copyrighted source material alongside original music by Tate Fincher. Required permissions, licensing fees, and any charges assessed by publishers or rights holders for copyrighted selections are separate from the prices shown above and are not included in the purchase price. Licensing needs can be discussed during the inquiry process.

Ready to talk next steps?

Bring this production to your ensemble.

Use the inquiry form to share your school, timeline, ensemble size, and what kind of adaptation or support you need. I’ll review the details personally and follow up with next steps for this production.

Source music, licensing, percussion needs, and ensemble-specific adjustments can all be discussed during the inquiry process.

Please Note

Important Notices

Note Regarding Percussion Parts/Sounds

The percussion heard in these recordings is included only as a temporary placeholder for playback to suggest pacing, energy, and overall effect. It is not intended to represent a finished battery or front ensemble arrangement, and written percussion parts are not included with this show. Each ensemble should work with its own percussion arranger to create parts that fit its students, instrumentation, visual design, and competitive goals.

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